All the oil paintings of Hans Eworth

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ID	Image	Painting(From A to Z)	Details
64249
1160		Edward VI	1547-53 The Hermitage, St.Petersburg
29304		Edward VI	mk65 1547/53 Oil on panel 20x14"
96972		Hans Eworth	oil on panel, 38 1/2 x 24 in, 96.9 x 61 cm, Tate Gallery cyf
1159		Lady Dacre	1554 National Gallery of Canada, Ottawa
98318		Lady Mary Grey	Portrait of Lady Mary Grey. Date 1571(1571) Medium oil on panel
41399		Margaret,Duchess of Norfolk	mk160 in a very decorative close-bodied gown,with short over-sleeves and sham hanging-sleeves represented
77825		Mary I of England	1554(1554) Oil on panel 21.6 ?? 16.9 cm (8.5 ?? 6.7 in) cjr
81102		Mary I of England	1554(1554) Medium Oil on panel Dimensions 21.6 x 16.9 cm (8.5 x 6.7 in) cyf
98073		Mary Neville Lady Dacre	1555-1558 Medium Oil on wood, cradled Dimensions 73.7 x 57.8 cm cyf
86563		Portrait of an unknown lady	oil on panel, 38 1/2 x 24 in, 96.9 x 61 cm, Tate Gallery Date 1565-68 cyf
92191		Portrait of an Unknown Lady	oil on wood, support: 597 x 483 mm, Tate Gallery, T00606 Date 1557(1557) cyf
87368		Portrait of an Unknown Lady, signed	1557, oil on wood, support: 597 x 483 mm cjr
56007		portrait of beardless man	mk247 1521,oil on lindenwood,14.675x12.375 in,37x31.3 cm,kunsthistorisches museum,vienna,austria
78737		Portrait of Mary Dudley	Oil Date ca. 1550-1555 cyf
41381		Queen Mary	mk160 it was presented to the national portrait gallery
79370		wife of Sir Henry Sidney	Oil Date ca. 1550-1555 cyf

Hans Eworth
Flemish Northern Renaissance Painter, active 1540-1573 Flemish painter, active in England. Jan Euworts was listed in 1540 as a freeman of the Guild of St Luke in Antwerp, but by 1545 he had moved to England, where until 1571 his name, spelt in a wide variety of ways (e.g. Eeworts, Eottes, Euertz, Evance, Eworts, Ewotes, Ewout, Ewoutsz., Eywooddes, Hawarde, Heward, Huett etc), appeared in numerous naturalization, tax and parish documents. About 35 paintings are generally attributed to him, consisting primarily of dated portraits of the English gentry and nobility. The majority are signed with the monogram HE, which led to their being attributed to the Flemish painter Lucas de Heere during the 18th and 19th centuries. Cust reattributed the paintings to Eworth on the basis of an inventory (1590) of the collection of John, 1st Baron Lumley, in which three monogrammed portraits were listed as being by Haunce Eworth